Books, Books, Books!
libraryland:

i12bent:

Philip Larkin, English poet of distinction, August 9, 1922 - 1985…
An Arundel Tomb
Side by side, their faces blurred,The earl and countess lie in stone,Their proper habits vaguely shownAs jointed armour, stiffened pleat,And that faint hint of the absurd -The little dogs under their feet.Such plainness of the pre-baroqueHardly involves the eye, untilIt meets his left-hand gauntlet, stillClasped empty in the other; andOne sees, with a sharp tender shock,His hand withdrawn, holding her hand.They would not think to lie so long.Such faithfulness in effigyWas just a detail friends would see:A sculptor’s sweet commissioned graceThrown off in helping to prolongThe Latin names around the base.They would no guess how early inTheir supine stationary voyageThe air would change to soundless damage,Turn the old tenantry away;How soon succeeding eyes beginTo look, not read. Rigidly theyPersisted, linked, through lengths and breadthsOf time. Snow fell, undated. LightEach summer thronged the grass. A brightLitter of birdcalls strewed the sameBone-littered ground. And up the pathsThe endless altered people came,Washing at their identity.Now, helpless in the hollow ofAn unarmorial age, a troughOf smoke in slow suspended skeinsAbove their scrap of history,Only an attitude remains:Time has transfigures them intoUntruth. The stone fidelityThey hardly meant has come to beTheir final blazon, and to proveOur almost-instinct almost true:What will survive of us is love.
- published in 1964 in the collection The Whitsun Weddings.

libraryland:

i12bent:

Philip Larkin, English poet of distinction, August 9, 1922 - 1985…

An Arundel Tomb

Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd -
The little dogs under their feet.

Such plainness of the pre-baroque
Hardly involves the eye, until
It meets his left-hand gauntlet, still
Clasped empty in the other; and
One sees, with a sharp tender shock,
His hand withdrawn, holding her hand.

They would not think to lie so long.
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor’s sweet commissioned grace
Thrown off in helping to prolong
The Latin names around the base.

They would no guess how early in
Their supine stationary voyage
The air would change to soundless damage,
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly they

Persisted, linked, through lengths and breadths
Of time. Snow fell, undated. Light
Each summer thronged the grass. A bright
Litter of birdcalls strewed the same
Bone-littered ground. And up the paths
The endless altered people came,

Washing at their identity.
Now, helpless in the hollow of
An unarmorial age, a trough
Of smoke in slow suspended skeins
Above their scrap of history,
Only an attitude remains:

Time has transfigures them into
Untruth. The stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.

- published in 1964 in the collection The Whitsun Weddings.

I think this is how Bowie wrote his lyrics, on strips of paper.
libraryland:

easilydistracted:infinitebutterflies:booktumbling:librarianpirate:nerdgasms:dailymeh:Hundred Thousand Billion Poems, by Raymond Queneau, reminds me of Borges’s Library of Babel: [Hundred Thousand Billion Poems] is a set of ten sonnets. They are printed on card with each line on a separated strip, like a heads-bodies-and-legs book. As all ten sonnets have not just the same rhyme scheme but the same rhyme sounds, any lines from a sonnet can be combined with any from the nine others, so that there are 1014 (= 100,000,000,000,000) different poems.
Potential literature indeed.
What a great idea. If by any chance this was available from the NYPL (I’m assuming it’s far too delicate for a lending library) I’d check it out, despite my ambivalence to poetry.

I think this is how Bowie wrote his lyrics, on strips of paper.

libraryland:

easilydistracted:infinitebutterflies:booktumbling:librarianpirate:nerdgasms:dailymeh:Hundred Thousand Billion Poems, by Raymond Queneau, reminds me of Borges’s Library of Babel: [Hundred Thousand Billion Poems] is a set of ten sonnets. They are printed on card with each line on a separated strip, like a heads-bodies-and-legs book. As all ten sonnets have not just the same rhyme scheme but the same rhyme sounds, any lines from a sonnet can be combined with any from the nine others, so that there are 1014 (= 100,000,000,000,000) different poems.

Potential literature indeed.

What a great idea. If by any chance this was available from the NYPL (I’m assuming it’s far too delicate for a lending library) I’d check it out, despite my ambivalence to poetry.